I figured the window of time where a 2017 recap is still appropriate is quickly closing, so I'm sliding in there last-minute before it's too late. Otherwise soon it'll be like, Ashley it's June why are you talking about last year?
Sounds like something I would do.
2017 was a crazy year for growth. Between school and building my business, I've seen a huge improvement in where I'm at and where I'm going, and that's so exciting! There are few things more satisfying than being able to see visual proof that we are growing, learning, and moving ahead. I wanted to take this opportunity to share some of my favorite photos I took this year, and maybe recap why I love them. I hope you'll stick with me here.
This was my first shoot of 2017. Classic bath-boudior shoot, but it's one of my favorite boudoir shots I've done yet. Tina (IG) is such a wonderful human being, and her colourful personality and look is so fun to capture.
I love New York City for a lot of reasons ($1 pizza, Shake Shack, Broadway) but mostly because of the architecture. I was so excited to get to shoot the Oculus, and it did not let me down. It's almost overwhelming to take in visually, you can't look at its entireity all at once.
This day in March, my partner and I had gone to Toronto for me to shoot an assignment and I came up completely empty. We were heading back to Union Station and I saw this building. I've shot it a bunch of times since, but this is my favorite shot of it. I noticed a bunch of birds kept doing laps and then sitting for a while. It was decided I was going to wait for this shot, despite the fact that it was cold and my hands were shaking and my partner was a little annoyed with me for making him freeze. He understood once he saw the shot, though.
Everything about this reminds me of spring. Mabel (IG) had never done a photoshoot before, but she was so good. Also, nailing that Rembrandt lighting using the sun made me pretty happy.
I got to shoot Billy Talent this summer, which was a literal dream come true. They were one of the bands that made me fall in love with music and getting to merge my passions in this moment was everything to me. It was a moment that made me wish I could go back to my angsty, confused, sad 12-year-old self and let her know that there will be some cool stuff ahead.
I was able to tick off "have one of my photographs be on an album cover" off my bucket list this year. The Dreamboats used this photo for their new album. You can check out the final album artwork and the songs HERE. They recently gave me a physical copy, and seeing it printed on the cover felt really cool!
This photo is from the first engagement shoot I ever did. Paul & Olivia were great first subjects! This was also the first time I tried the Nikon 105mm f1.4 lens, and realized it was everything I needed in my life.
One day you'll be mine.
We took this photo in my basement with lightbulbs, white umbrellas, and a grey backdrop. This photo taught me you don't need a fancy set up to make cool things. Work with what you have.
The day previous to this photo being taken, Evan (IG) and I spent hours in the studio trying to nail one photo, just one photo, for a portrait assignment for school. It so clearly wasn't working, and I felt defeated. This was a day where I sat back and wondered if I just actually sucked, or if I was only having an off day. We went home, and I tried to recalibrate. I spent time searching through photographs, trying to find some inspiration. A photo that Annie Leibovitz did for Prada came up, and I was in complete awe. I decided I would try to recreate it in my own way. We went back the next day, and we banged out this shot relatively quickly.
If I learned anything here, it was that sometimes you need to step away from things, breathe, and try again later.
This shot is different from the rest of my work, and it was so challenging in every way, from the execution in the studio to the composite and editing process. I felt truly accomplished when I finished this photo.
This photo of Michelle (IG) makes me want to pack my bags and go on an adventure.
I have been really enjoying leaving parts of the surroundings in my photos, letting the raw elements come into frame. We didn't really have any plans when we were shooting this session, but some of my favorite photos came out of it.
I don't even have much to say about this one. I just love it. I love creating art with this woman. (You can see Marah's work here)
After dealing with the emotional ordeal that was my self-portrait assignment for school, I decided I needed an overhaul of the way I talk and treat myself. This self-portrait, which was taken for me and not for school, was the beginning of that. It's me trying to look at myself differently, and celebrating myself.
And there you have it! Culling this list down was extremely hard, but I figured at some point you'd be bored with me.
Here's the rub though: I can't even show you my absolute favorite shot of 2017. It's under wraps for a client's project. But believe you me, I'll shout it from the rooftops when I can release it.